优生学，在美国二十世纪上半叶一度是人人追捧的显学。在冷泉实验室，达文波特借助他的优生学理论和调查报告，游说美国财团和政府，用智商测试，对人口进行分层，不合格的人会被强行实施绝育手术。从二十年代起，美国政府对东欧和犹太移民抬高门槛，背后的逻辑也是出自优生学的遗传理论，唯恐北欧正统的移民基因被“污染”，此举在三十年代导致大批欧洲犹太人走投无路，死于纳粹集中营。这套基于种族净化理念的优生学，也被德国纳粹继承，并发扬光大。不过，大萧条造成的全面失业破除了优生神话，好莱坞影片《明日的孩子》、以及强行绝育的黑暗内幕的曝光，加上二战末期纳粹灭绝营的恐怖图景的传播，使得美国的优生学在四十年代后逐渐式微，但各州的强行绝育法律直到六七十年代，才被废止。

Martin Luther is born into a world dominated by the Catholic Church. For the keenly spiritual Luther, the Church's promise of salvation is irresistible. Caught in a thunderstorm and terrified by the possibility of imminent death, he vows to become a monk. But after entering the monastery, Luther becomes increasingly doubtful that the Church can actually offer him salvation. His views crystallize further when he travels to Rome and finds the capital of Catholicism swamped in corruption. Wracked by despair, Luther finds release in the pages of the Bible, discovering that it is not the Church, but his own individual faith that will guarantee his salvation. With this revelation, he turns on the Church. He attacks its practice of selling Indulgences in his famous 95 Theses, putting himself on an irreversible path to conflict with the most powerful institution of the day. The Catholic Church uses all of its might to try to silence Luther, including accusations of heresy and excommunication. Protected by his local ruler, Frederick the Wise, Luther continues to write radical critiques of the Church. In the process, he develops a new system of faith that places the freedom of the individual believer above the rituals of the Church. Aided by the newly invented printing press, his ideas spread rapidly. He is called before the German imperial parliament in the city of Worms and told he must recant. Risking torture and execution, Luther refuses, proclaiming his inalienable right to believe what he wishes. His stand becomes a legend that inspires revolution across Europe, overturning the thousand-year old hegemony of the Church. But as the reformation expands into a movement for social freedom, Luther finds himself overwhelmed by the pace of change, and is left vainly protesting that his followers should be concerning themselves with God. 　　- Written by Anonymous

小杏（广末凉子 饰）自由便失去了父亲的关爱，和母亲一起过着相依为命的生活。幸运的是，小杏的母亲是一位十分坚强的女性，身为女性杂志编辑的她，从小就给小杏灌输着要自强自立的观念。 　　在母亲的影响下，小杏加入了学校的广播社团，并且制作了自己的节目“樱木新闻”。每天午饭时间，校园上空都会响起小杏亲切的声音，播报着学校周边发生的大大小小的事件。一场意外让小杏想起了一位名叫阿彻（圆岛努 饰）的少年，曾经，两人许下约定要一起拍一部电影。在老师的鼓励下，小杏决定兑现这一约定，她找到了曾经拍摄过的录音带，想要通过剪辑和拼接来完成她人生中的第一支纪录片。

《二十世纪少女》以1999年为背景，友情比爱情更重要的17岁少女“宝拉”（金裕贞 饰）经历了痛苦但难忘的初恋，以及21世纪再次出现了的爱情故事，是往返于…

1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

The Bolshevik revolution, the cold war, and the collapse of the Soviet Union defined the history of the twentieth century. With such a past, what does it mean to be Russian today? Robin Hessman's lovingly crafted documentary, My Perestroika, adopts the idea of the “everyman story,” suggesting that the unheralded lives of the last generation of Soviets to grow up behind the iron curtain hold the key to understanding the contradictions of modern Russia from the inside out. 　　Crafted during five years of researching and shooting, and based on almost a decade of living in Russia in the 1990s, Hessman's film poetically interweaves an extraordinary trove of home movies, Soviet propaganda films, and intimate access to five schoolmates whose linked, but very different, histories offer a moving portrait of newly middle-class Russians living lives they could never have imagined when they were growing up.

为期两年半的库尔斯克战役，终于令法西斯开始走向灭亡。1943年8月5日，苏军粉碎了敌人的抵抗，解放了欧勒尔市，德国在东方战线上的第三次攻势就这样失败了。

为期两年半的库尔斯克战役，终于令法西斯开始走向灭亡。1943年8月5日，苏军粉碎了敌人的抵抗，解放了欧勒尔市，德国在东方战线上的第三次攻势就这样失败了。

昭和中期、日本がまだ夢見ていた頃、街から街へと人々を楽しませて回る「三日月サーカス」という小さなサーカス団があった。そこには仁太と渡という空中ブランコに憧れる兄弟がいた。しかし、不慮の事故により足を傷めた仁太は、夢がかなわぬままサーカス団を去ってしまう。

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.